
Using a low ISO (100) to minimise digital noise, the timed exposures of 4 seconds provided some interesting 'light painting' effects, as the camera registered each sweep of the hand; including the three dimensional aspect, when drawing circles in the air, as the torch is turned away from the lens.
Combining a couple of these shots together in the digital darkroom with a small amount of post processing, provides a third dimension in motion, as the eye explores the three dimensional shapes of light and the relationship between them. And without too much imagination, perhaps you can see a rising phoenix hovering over a ball of blue fire.
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